• Invented, forged & jettisoned on February 9, 1992

    Made by John Henry, Beave and Christo

  • Paisley Thrash finds Orange Hat stripping off our polyester shirts and getting down to the basics while nearly injuring ourselves in a state of exuberant, idiot glee. Production and polish are thrown out the window as the Hat careens through 5 twisted tunes on a tsunami of adrenaline. Recorded by a dedicated blues man baffled by our demented orange-ness, Paisley Thrash is a great representation of the Hat’s early live sound. It’s an exceedingly short and simple EP with a story too long and complicated to tell here.

    “Do you guys always play this fast?”

    released September 22, 1989

    Christo Harris – singing guitar organ
    David Zeus Henderson – singing bass
    Ron Pirkle – lead guitar
    John “Beave” Myers – drums

    recorded by Rick Ware at R.W. Studios
    8/31/89 – 9/1/89
    mixed by Zeus Henderson in 2011
    mastered by Jason NeSmith
    cover by Christo Harris

  • For many years, I kept an audio sketchbook full of found sound, tape loops, bursts of tape feedback and other aural experiments. Every year I collected these tracks on cassette, designed a cover and handed them out to friends. This album compiles selections from 1987 to 1989. The percussion track for “Whips, Chains & Witchcraft” was created by recording various percussive sounds on reel to reel tape, carefully splicing them together to create a rhythm, and then looping it. “Rhythm of Love” was a loop that repeated as the last track of one cassette release until the cassette reached the end of side two. “Gestalt” was the result of randomly splicing a copy of my previous release and then layering it with itself by tape-to-tape copies until the original sound became a mushy cacophony. The resulting track was distributed to my friends on a 12-minute looped cassette.

  • This is a true story. Not really.

  • Our buddy Beave is an important part of this nutritious breakfast.

  • This percussion track for my song “Whips, Chains & Witchcraft” was created by recording various percussive sounds on reel to reel tape, carefully splicing them together to create a rhythm, and then looping it.

  • Ah, yes. High school students loose on the town in 1987 armed with puppets and a video camera. Those were the days.